• What Will Your Character Do When Disaster Strikes?
  by Carolyn Kaufman, PsyD
• Characterization and Conflict: Using Psychological Tests to Improve Your Writing
  by Carolyn Kaufman, PsyD
• Gathering Information from Characters: Types of Questions
  by JJ Cooper 
• Using Body Language in Writing
  by JJ Cooper
• Body Language Cheat Sheet
  by Carolyn Kaufman, PsyD

USING ARCHETYPES IN YOUR STORIES

• A Primer on Archetypes and the Collective Unconscious
  by Carolyn Kaufman, PsyD

Writing Better Romantic Relationships

This series looks at the Anima/Animus archetype, which is most often seen in romantic relationships, and how to use it to create more compelling romantic relationships, regardless of genre. Looks at what the anima and animus are, how they’re formed, and why fiction writers need to understand them. There’s also some and what makes love grow - and how happily ever afters really work.

• Creating Riveting Romances: The Anima/Animus Archetype Defined
  by Carolyn Kaufman, PsyD
• Writing Romance: Three Influences on the Anima/Animus Archetype
  by Carolyn Kaufman, PsyD
• The Perfect Hero and the Perfect Heroine: Dark and Light Sides of the Anima & Animus
  by Carolyn Kaufman, PsyD
• What Does it Really Take to Live Happily Ever After?
  A look at the psychological research on what makes or breaks romantic relationships. - by Carolyn Kaufman, PsyD

Creating Better Antagonists

• Three-Dimensional Villains: Finding Your Character’s Shadow
  Using Jungian archetypes and hands-on exercises, this article teaches fiction writers to tap their own dark sides to create realistic villains who will really challenge the hero/es and keep tension high. - by Carolyn Kaufman, PsyD

FORENSIC PSYCHOLOGY

• Basic Information on Forensic Science by Juan Salvo
• The Truth about Forensic Psychology by Lisa Featherston

archetypewriting.com

• So You Want to Write a Fantasy: Writing Female Characters
• So You want to Write a Fantasy: Culture
•  SYWTWAF: Writing What you Don’t know
•  A list of adjectives to describe physical attributes, Or, As it turns out, I could go to Starbucks with half this list
• Unpacking the Invisible Knapsack
•  Some primers
•  More Primers
•  RaceFail ‘09: Or where Deepad’s I didn’t dream of Dragons comes from, and why.
•  Writing characters of Color
•   Writing Outside your experience
• Media Representations Wiki - stereotypes/tropes/culture/etc
•  On A:TLA’s whitewashing - All The World’s White, the Rest of Us merely live in it
• The Face of the Other: Do Manga & Anime characters look “white”?
• Describing Characters of Color pt 1 & Describing Characters of Color (pt 2)
•  I Didn’t Dream of Dragons
•  Shame
•  So You Want to: Avoid Unfortunate Implications
•  Transracial Writing for the Sincere
•  Why Writing Colorblind is Writing White
• What a Girl Wants: Representation
•  An Equal Place at the Table
•  Avoiding LGBTQ Stereotypes
• The Problem With Colorblindness (and the Rest of Racebending.com)
•  Making Movies for White People: A Tongue in Cheek critique of Minority Representation in the Media, or lack thereof
•  From Margin to Center: Writing Characters of Color via Racialicious
•  Writing Characters of Color - a helpful community!
•  Why my Protagonists aren’t white (even though I am.)
•  The Dangers of Telling a Single Story (a helpful Video)
•  The Lack of People of Color in Historical Fictions
•  How to Read and Respond to Literature of Color
•  The Advantages of being a White Writer (in getting published)
•  Writing Characters of Colour (Now With 10% Less White Liberal Anxiety!)
•  Fic and Skin Tone (discusses Nyota Uhura, otherwise relevant)
•  On Problematic Writing
•  Writing Race in YA fiction: Debunking Myths
•  Diversity Writers: How to Write People of Color
•  The Importance of Inclusionary Writing
•  Racialicious
•  Overcoming the Noble Savage and the Sexy Squaw: Native Steampunk
•  The Intersection of Race and Steampunk: Colonialism’s After-Effects & Other Stories, from a Steampunk of Colour’s Perspective
•  Beyond Victoriana: For EVERYTHING Steampunk/1800s/Industrial Revolution that isn’t just Victorian England and the archives Tales of the Urban Adventurer
•  Can I just watch A Game of Thrones in Peace? (A brown feminist fan rant).
• Fantasy and Sci-Fi race Bingo
• Invoking Strangely Colored people
• Many Voices
• AfroFuturism, SciFi, and the History of the Future
• Some Open Thoughts on Race & Dsyutopia
• When Will White People Stop Making Movies like Avatar?
• Portraying POC in YA Fantasy: Are we There Yet?
• Debunking White Fantasy
• Racism in Fantasy
• Magical Realism is Fantasy written in Spanish.

1.) It’s not hard to figure out what to do, there are plenty of resources.

People say you have to get it right, do your research, but … what else are you supposed to research? It’s not like people with more pigment in their skin have completely different personalities than those with less, any more than any individual. It’s frustrating when I can’t even figure out what the heck people are talking about.

Bam. Research step one done for you.

2.) Writing characters of color/minorities is a good thing.

I don’t like the notion that fantasy authors are under some kind of obligation to present ethnically diverse worlds. I’m English, and a fair sized part of English history consists of unwashed beardy white people in mead halls. If I’m inspired by my own history and cultural heritage, then that’s what I’m damn well going to write about. I’m not writing about some other culture just to appease the people who think there aren’t enough black characters in fantasy, or whatever. You want it, you write it. Nothing to do with me.

You’re wrong.

3.) Your all White Fantasy Land Didn’t Exist in Real Life:

…the rather medieval one has more diversity than real medieval Germany probably had […] In a world with medieval means of transport, it just doesn’t seem natural to me to mix dark-skinned people with blue-eyed blondes in one setting. I just try to give the people a colour that fits the place where they live.

You mean like the people from Africa and the Middle east who began to take over Southern Spain, as well as the Jews who were pretty well spread out throughout Europe, the Middle Easterners they would have met on the Crusades, and the incoming Mongol Hordes who spread to the very edges of Eastern Europe before the empire finally collapsed? Don’t forget that Turkey is right there, and the silk road would have gone from Song Dynasty China, through India, and ended in Turkey before moving further westwards into places like Germany. Also the attempts at the Franco-Mongol alliance would have been pretty interesting. (That’s about the 13th century - arguably smack dab in Middle Ages Europe and definite contact between France/Christian Europe and the Mongolian Empire.)

Unless you’re writing everything in the far reaches of Denmark or something, historically speaking, I call bullshit on people who have societies that are only all white ever, because it’s just inaccurate. Consider the relative closeness of Northern Africa to Spain, or Turkey to the rest of Europe, the conquests of Alexander the Great, the Crusades, Slavery existing in Europe, including England, the slave trade, imperialism, Pax Mongolica, The Silk Road, Jewish Diaspora, the Islamic Empire vs The Holy Roman Empire, Egypt, Algeria, China’s sailing across the world, The Maruyan/Gupta Empires of India, tea trades, Columbus sailing in hopes of finding China, etc, etc, etc.

4.) I mean I just don’t believe you anymore. It’s unrealistic. Seriously guys.

You’d think I’d just denied the holocaust or something. Get a grip. All I said was that I’m going to write about my own cultural experience and anyone who thinks I should do otherwise for the sake of political correctness can bugger off.

This isn’t even about being PC this is just not being wrong about everything.

good lord.